This installation stages an encounter between two objects whose deep cultural familiarity renders them nearly invisible. The chiavari chair - ubiquitous across formal gatherings, indexes ceremony, continuity, and socila legitimacy, functioning as an infrastructural apparatus of adulthood and ritualized order.

In contrast, the red solo cup operates as a signifier of youth culture, disposability and excess: am mass-produced vessel inseparable from fraternity cultur, improvised parties and fleeting communities. by multiplying these two forms within a shared spatial field, the work collapses generational distance into simultaneity.  rather than affirming linear progression from youth to maturity, it reveals how social identity is learned, enacted adn performed through standardized architecture of festivity. the chair and the cup operate as prosthetic markers of belonging and assembling to witness and be witnessed.